confused?...youre not alone....
this fellow complains the problem lies with the eyes....maybe the next step is an eyeball camera!
'Actors with faces but without voices can’t be nominated for Oscars. Actors with voices but without faces can, but don’t get nominated for Oscars.
Ingrid Thulin couldn’t have been nominated for The Four Horsemen of the Apocalypse because she was dubbed by Angela Lansbury. The same goes for the widely praised Philippe Noiret, dubbed into Italian in Cinema Paradiso, or Mel Gibson, dubbed into American English in Mad Max. Robin Williams could have been nominated for his Genie in Disney’s animated 1992 Aladdin, but wasn’t. Nor was Meryl Streep or George Clooney nominated for their work in Wes Anderson’s Fantastic Mr. Fox.
The rationale seems to be that if you have a voice but no face or a face but no voice, you’re giving only half a performance. (Dubbing singing voices, however, is acceptable. Even so, Audrey Hepburn didn’t get a best actress nomination for My Fair Lady in 1964 chiefly because it’s Marni Nixon’s voice you hear coming out of Hepburn’s mouth.)
Now, what about performance capture? You have a voice, a face, and computer drawing. How much of that is acting? How much of that is animation?
Avatar director James Cameron has stated more than once that performance capture, especially as done in his 3D sci-fi blockbuster, is real acting. Actors emote on an empty soundstage; visual effects people draw on top of them while preserving "every nuance of the performance," as explained in an Associated Press piece about this issue.
"It is a performance. It hasn’t been animated on top of that. That to me was a big thing, that they don’t enhance my performance in any way," remarked Sam Worthington, who goes from human to Na’vi during the course of Avatar. "Whatever we did does translate exactly 100 percent. Maybe my nose is animated and my tail. That’s because I don’t have a tail. And the ears are a bit different, but those are about the only things they’ve changed."
etc
AVATAR: Performance Capture and the Oscars


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